I should say, I re-caught the bug.
I teamed up with Paolo Black, Melissa Pracht, Scott Lituchy and MediaStorm Producer Bob Sacha to tell a story about two young men who have made a career out of street entertainment. My role was to transcribe all the audio that was collected during shows and interviews.
I got to sit in on training sessions and lectures, and watch the MediaStorm team work their magic. And it was absolutely magical.
Talking the story over with the team showed me exactly how powerful a story like this can be and how we can learn from each other during its production. We all had our strengths and points of view, which contributed to a stronger piece than any of us could have produced individually.
I got home each day ranting about some new insight: interviewing techniques that get the subject to respond in complete sentences or the beauty of the extreme close-up. I looked at other MediaStorm projects, watching for the details we had talked about.
When I saw that my name was going in the credits for the project, and that I made a cameo in the Behind the Scenes production (at about 8:08) the grin on my face was big enough to fit an XL pizza.
There are parts of the experience I don’t want to remember. The ringing in my ears and the ache in my neck after transcribing for hours at a time. The frustration I felt as I watched the other members of the team working with high-end gear I can’t even dream of having. That doesn’t mean I won’t volunteer again. But next time, I’m taking a bottle of Aleve with me. And a point-and-shoot.
I started taking photos and shooting amateur videos long before I fell in love with journalism. In college, I took photography classes, including a study abroad trip to Berlin. I also did some independent study and in-class work with videography. Not to mention my work with both mediums at The Independent Florida Alligator, as I struggled to get reporters to get video and create audio slideshows along with their text articles.
So I caught the multimedia bug long ago. But once I lost access to the SLR and HD cameras, it got harder to be interested. I’d see a cool photo opportunity, but I couldn’t do anything about it. I couldn’t afford to buy my own gear.
During this time, I turned to programming. I became more interested in data and applications and code than I had been with framing and sequences and lighting. Programming is a cheaper pursuit, and I’ve always been geeky enough to find the resources and teach myself.
Now, though, I catch myself walking around and seeing everything through a camera lens again. I wish I could afford even some low-end gear, because I know that otherwise, my interest will wane again. I will miss out on an aspect of storytelling every bit as important as programming or writing.
And although all the industry advice, including what I learned at MediaStorm, pushes specialization, I still want to know how to do it all.